Gibby

United States
Cedar City
UT
84720

Basics

Cameras: 
Red One
Sensor: 
Original SensorOriginal Sensor
Lens Mount: 
PL, Nikon
Camera Mount: 
Arri 15mm base, Other
Services: 
D.P.
Rental: 
Staff requiredStaff required
Emmy Award-winning executive producer, field producer, director, DP, and cinematographer available for production anywhere in the world for any length of time. Mobile production is my specialty - hybrid EFP/cine style and non-hardlined EFP style. Genre areas = wildlife, music, adventure travel, alternative sports, resorts/hospitality, tourism, nature, cultures, lifestyles, aviation, and documentaries of various kinds. Industries include features, television, business media, and commercials. Over thirty years worldwide experience, including over four years experience shooting with the RED One and Red Epic cameras that I own - Epic M 0008 (co-owner), Red One 0008, and Red One "London" (pre-production city named camera). Also former owner Red One "Hollywood" (pre-production city named camera), and Red One 0700. No project too big or too small if it interests me. Submit all proposals.

Camera System Details

Media: 
CF Cards, Red Drive (Raid), Red SSD
Power Supply: 
Red
Viewing System: 
Red LCD, Other
Red Bomb EVF
Handheld System: 
Element Technica
New Red Shoulder System

Lenses

Lenses availableLenses available
PL Lenses: variety of cine primes, Optex 2x extender. 35mm still lenses: Canon FD 800mm f/5.6L with Century PL mount conversion. Canon FD 150-600 f5.6L zoom with Century PL mount conversion. Nikon ED 400mm f3.5 AIS with 1.4x and 2x, Nikon ED 50-300mm f4.5 AIS zoom with 1.4x and 2x, Nikon ED 80-200mm f/2.8 AF zoom, Nikon AF-S 80-200mm f2.8 zoom, Nikon ED 180mm f2.8 AIS prime, Nikon 17-35mm f2.8 AF-S zoom, Nikon 28-70 f2.8 AF-S zoom, Nikon ED 14mm f2.8D AF prime (Nikon's widest rectilinear lens), Tokina 11-16 f2.8 zoom with Nikon mount, and many other 35mm still lenses that I use on RED One. Also various Nikon 2x and 1.4x extenders. Underdahl Nikon DX mount for RED. B4 HD EFP/ENG zooms. RED B4 to PL Adaptor. Century/Tinsley .6x Double Asphere Wide Angle Adaptor.

Other Equipment

Heads: 
Multiple Miller Arrow 55
Tripods: 
Miller 2-stage CF legs for more stationary work, Miller SOLO 1505 spreaderless carbon fiber legs for mobile production
Matteboxes: 
Don't use them :) We do real mobile work, so no MB of FF. We use screw-on filters and eye focus RED hand racking the lens barrel
Filters: 
Wide range of screw-on ND and polarizer filters for the lenses we use
Additional Equipment: 
Nearly every RED accessory made, plus every Element Technica accessory made. Growing list of View Factor accessories. Custom SPL molded aluminum surfzone water housing available for RED One. Cobra Crane system (8'). Large and mid-sized Cine Saddles. Also, a portable mini-dolly system. Co-owner of Red Epic M camera serial number 0008, delivery taken on 2/4/11.

Credits

Steve Gibby is a multiple Emmy-winning, 30-year veteran of several hundred international and national television programs that aired on seventeen different broadcast and cable networks, including NBC, National Geographic, ESPN, ESPN2, Fox Sports Net, Animal Planet, Palladia, Spike, OLN, SPEED, UPN, Fuel, VH1, PBS, Prime Sports Network, DISH, Comcast, and many others. His core genres of production have been adventure travel, alternative sports, wildlife, tourism, lifestyle, nature, music, and cultures. His specialty is small, mobile, affordable crews shooting worldwide in a broad variety of cinematic hybrid and television styles. He is a deeply experienced field producer, director, DP, cinematographer, and videographer. His premier camera systems include multiple Red Epic and RED One digital cinema cameras (5k, 4k, 3k, 2k), but he also shoots on occasion with various EFP cameras. His image acquisition skill sets include: cinematography and videography via tripod, hand held, shoulder held, interviews, working with talent, POV cameras, jibs, stabilizers, digital still photography, in-water, and many others.

As an example of Steve’s work, he served as a field producer, director, and cameraman for the multiple Emmy-winning ESPN series “Hawaiian Sports Adventure” for two seasons (20 half hour programs). Those award-winning programs included elements of adventure travel, alternative sports, culture, lifestyle, and resort/tourism profiles. The tiny field crew for many segments of those shows was Steve, an assistant, and talent. Recently Steve served as an Executive Producer and a DP for “Icy Killers”, a wildlife documentary produced in Alaska that aired nationally and internationally on National Geographic Channel multiple times in 2009. He also served in March 2009 as a DP and shoulder held cinematographer for a 10 RED camera HDTV and DVD production in Manila, Philippines featuring the legendary rock band Journey in concert. In March 2010 Steve served as DP and a shoulder held cinematographer for a 7 Red camera HDTV and Blu Ray production of the classic rock band Heart, with special guest Allison Krause, in concert in Seattle. Between projects he regularly shoots RED camera stock footage in various areas of the world.

Steve has received over 70 national awards for his television production work. He serves annually as an invited national Emmy Awards judge for several competitions: News & Documentary, Daytime, Primetime, Sports, and multiple regional Emmy Award competitions. His network-level skills and experience include: executive producer, producer, director, DP, editor, scriptwriter, and cinematographer. In addition, Steve is a former multiple term member of the Board of Governors, of the National Academy of Television Arts and Sciences (NATAS-Pacific Southwest). He is also a longtime technical and creative writer for several national television and film trade magazines, including Studio Monthly, Film and Video, TV Technology, HD Studio, Millimeter, and many others.

Extensive collections of his stock footage cinematography are available online via the Artbeats web site.

No project too big or too small if it interests Steve - submit all proposals.

Gallery

Click the images below for bigger versions:
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